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| Qianlong period porcelain invented many new techniques, as a result of the craftsmen have mastered the skills of a variety of porcelain and accurate use of flame, heat control, a very good grasp of the performance of the fetal enamel, porcelain material with clever imitation of bamboo, wood , bronze, stone, ivory carvings of various objects such as images are lifelike. Porcelain connoisseurs have praised the craftsmen amazing Seven Wonders of skills. In addition, the successful firing of the glaze to fill holes engrave exquisite and large-scale porcelain sculpture to the heart of turning neck bottles and bottles,, unprecedented skill. In the Qing Dynasty, only a color of pure porcelain, vitreous enamel, known as the color browser. In 200 years, this porcelain and there are many processes miu miu handbags to create and develop. Jingdezhen produced a green powder , red glaze, , red bean , A Green Crab, yellow eel , eggplant purple skin, green turquoise color of vitreous enamel, etc., and for the design of ceramic glaze, the addition of many new varieties. China39s ceramic handicrafts, after several thousand years of development and accumulated rich experience, a wide range of outstanding Chinese and foreign culture has absorbed the essence of art, the formation of a unique set of technology skills. That is, the middle of the Qing dynasty Qianlong period, profound knowledge, a lot of work, making Chinese ceramics reached a high degree of technical proficiency peak. After the middle of the Qing dynasty, China39s feudal society has come to an end, the decline of the phenomenon of corruption is becoming more obvious and show us their sense of social productive forces miu miu bag of stagnation, destruction, a variety of traditional manual skills are under the shackles of corruption, the decline of society down. Ceramic handicrafts and art is also true, only to show prosperity in Jingdezhen,elsewhere have been devastated. From the middle of the nineteenth century to the twentieth century, nearly half a century, the Chinese community in the capitalist powers under aggression, and gradually reduced to a semi-colonial, semi-feudal society. China ceramic crafts in the cruel feudal exploitation and bureaucraticthe exclusion of the West, have been seriously destroyed. Many kilns were abandoned, a large number of artisans it is difficult to make a living, has a long tradition of ceramic art gradually lost its glory by the stagnation to miu miu decline as the porcelain of the motherland of China, into the western capitalist powersdumping market. Until after New China was founded, until the restoration of ceramics of the glorious past and make new progress. Lee Ji-feast Notes 1 ZHANG Fu-kang, Zhang Zhigang Chinese history study low-temperature glaze , see Journal of Portland 8 Volume 1. | ||
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